Elisa Citterio solo violin
Catherine Jones solo cello

Talenti Vulcanici
Elisa Citterio*, Monika Toth*, Katarzyna Solecka, Raffaele Nicoletti*, Andrea Beatriz Lizarraga, Isabel Soteras Valenti violins
Maria Bocelli*, Filippo Bergo violas
Catherine Jones*, Cristina Vidoni cellos
Federico Bagnasco double bass
Juan José Francione theorbo
Davor Krkljus organ
Stefano Demicheli harpsichord and conductor

Guido Olivieri musicological consultant

*first parts


Produced by Turchini Records. Distributed by NovAntiqua.
Recorded at Church of Santa Caterina da Siena, Naples – May, 24 – 27, 2022
Andrea Dandolo producer & editing
Bruno Troisi sound engineer


cover: © Sergio Fermariello –  Guerriero


Available from 15th April

20.00

Description

At the beginning of the eighteenth century, Naples emerged as one of Europe’s foremost musical centres. Habsburg rule encouraged exchanges with Vienna, and a new generation of musicians brought the instrumental concerto to new heights of virtuosity, elegance, and formal refinement. Angelo Ragazzi became a violinist at the Imperial Chapel in Vienna; Francesco Scarlatti and Nicola Matteis expanded the musical language by weaving together French and Central European influences; while Nicola Porpora, teacher of Farinelli and Haydn, became a star in London. In the second half of the century, Naples became an essential stop on the Grand Tour, welcoming English aristocrats and musicians such as Emanuele Barbella, whose works quickly spread throughout Europe.

Absolute Parthenope celebrates this distinctive musical character: virtuosic, brilliant, unpredictable, and always capable of conveying contrasting affections with great intensity. Naples emerges as a leading protagonist on the European musical stage, a bridge between Northern and Southern Europe, where the Baroque tradition meets the cosmopolitan taste of the age.


Tracklist

Angelo Ragazzi (1680–1750)
Concerto for Violin “con ripieni” in G minor
Adagio, Allegro, Adagio – Allegro – Adagio, Allegro

Emanuele Barbella (1718–1777)
Concertone for Solo Violin in G minor **
In tempo giusto, Largo e staccato di molto e fortissimo, Allegro andante alla polacca

Nicola Matteis Jr. (after 1670–1737)
Sonata for Two Violins and Basso Continuo in G minor
Grave – Praeludium, Presto, Sarabanda, Gavotte, Largo, Gigue

Francesco Scarlatti (1666–1741)
Concerto No. 8 in F major
Allegro, Largo – [Allegro], Larghetto, Allegro

Nicola Antonio Giacinto Porpora (1686–1768)
Concerto for Cello in G major
Adagio, Allegro, Adagio, Allegro

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