Description
The book aims to investigate the ways in which theatre models are elaborated and become the object of dramatisation experiences. Starting from the virtuosities in the repertoire of the
of the Improvvisa companies, the suggestive experiences of the Spanish siglo de oro and the French grand siècle, or the recurring occasions of metatheatre that punctuate the comic-musical production. comic-musical production comic-musical production in all latitudes, the evocation of a scenic life as an opportunity for occasion of spectacle is tinged with increasingly problematic resonances. Studies on this subject have explored some of the most significant episodes of this long-lasting trend, or have focused their attention on attention to eminent personalities from the of the artistic world. What is still missing a recognition that, by comparing comparison of different sectors and methodologies different sectors and methodologies, gives an account diachronic evolution of the phenomenon single occurrences in relation to the immediate not only with the immediate context of context of belonging, but above all with a submerged tradition of which they recover tradition of which they recover and reformulate distinctive features.
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